In
this part, the following conventions apply: poems titled by the author have a
Capital Letter to Each Word, whereas poems named by their first line have a capital
letter only on the first word. Where a title is ambiguous (e.g. Poem)
it is followed by the first line [between square brackets].
Not
included in this listing are the nonsense poems by Peake that have been printed
in Peake Studies since 1988. See the list of contents
of past issues.
Cassells
Magazine, March 1932, p.59
Vikings in three 7-line stanzas, signed Mervyn L. Peake.
Reprinted (for the first time) in PS 8:ii (April 2003).
Satire (London), December
1934, p.17 Practically
Poetry: He must be an artist and Ode to a Bowler
(illustrated), under the pseudonym Nemo. Reprinted in MPR
16:26.
New
English Weekly, 13 May 1937, p.90,
Poplar Reprinted in PS 2:iv, p.6.
New
English Weekly, 27 May 1937, p.130,
The Cocky Walkers Reprinted, unchanged, in S&S.
London Mercury,
August 1937, Vol.36, No.214, pp.325 & 3256 (respectively),
Coloured Money and The Metal Bird The former was
reprinted (substantially revised) in S&S. The latter was reprinted
in PS 2:iv p.7.
New
English Weekly, 23 September 1937, p.390,
The Crystal Reprinted in PS 2:iv p.8.
London Mercury, October
1937, Vol.36, No.216, pp.5079,
Rhondda Valley (illustrated) Reprinted, revised and without the
illustrations, in S&S. However, the 1937 version can be found in WD,
p.24, with the illustrations (badly reproduced).
Listener,
1 December 1937, Vol.18, No.464, p.1206,
Sing I the Fickle, Fit-for-Nothing Fellows Reprinted (with revisions)
in Gb.
New
English Weekly, 30 December 1937, p.230,
The Meeting at Dawn [Body and head and arms . . .]
Reprinted (with only one line revised) as Poem in S&S (A2a:
p.21; A2d: p.38).
New
English Weekly, 6 January 1938, p.250,
Autumn [The lit mosaic of the wood . . .] Reprinted
in PS 2:iv p.9.
New
English Weekly, 26 May 1938, p.130,
Spring [The palmerworm] Reprinted in PS 2:iv
p.10.
New
English Weekly, 9 June 1938, p.170,
El Greco A substantially revised version was printed in RoB
and reprinted in PP. SP (p.34), however, reverts to the unrevised
version of 1938.
New
English Weekly, 14 July 1938, p.260,
Autumn [I stretched the shrilly limbs at cuckoo time]
Reprinted (unchanged) in 12P, where it is attributed to 1940.
London Mercury,
January 1939, Vol.39, No.231, pp.2856,
Overture Reprinted (with revisions) in S&S under the
new title, If I could see, not surfaces. This poem, and the differences
between the two versions, is discussed in MPR 9:410.
New
English Weekly, 20 April 1939, p.8,
I, while the gods laugh, the worlds vortex am Reprinted,
unchanged, in S&S.
Pinpoints,
MayJune 1939, No.4, p.25,
Watch, Here and Now Illustration by Leslie Hurry on f.p.
Reprinted in PS 2:iv p.11.
Picture
Post, 29 July 1939, Vol.4, No.4, p.67,
Epsteins Adam Reprinted in PS 2.iv pp.1213. WD (p.23) prints a working draft of this poem.
Eves
Journal, July 1939, p.48,
Au Moulin Joyeux: September Crisis, 1938 Printed with an illustration
by Leslie Hurry. Reprinted, without Hurrys illustration, in PS
2:iv p.14.
Eves
Journal, August 1939, p.63,
Burgled Beauty Reprinted in PS 2:iv, p.15.
Listener, 2 November
1939, Vol.22, No.564, p.848,
Where skidded only in the upper air Reprinted in Living Age,
January 1940, No.357, p.429, and in PS 2:iv, p.16.
Spectator,
25 July 1941, Vol.167, p.81,
The Spadesmen Reprinted (with revisions) in S&S.
Spectator,
8 August 1941, Vol.167, p.130,
The Two Fraternities Reprinted unchanged in S&S.
Now, Fall 1941,
No.7, p.24, The
Craters Reprinted (with revisions) in S&S.
Spectator, 12 December
1941, Vol.167, p.555,
London 1941 Not in fact the first printing of this poem as S&S
was published in November 1941. However, in view of the revisions in the S&S
version, this may be assumed to be the earlier version.
Counterpoint,
1946, Vol.2, Belsen
1945, two poems Seen only in photocopy. The two poems and accompanying
sketches were reproduced in PS 1:ii. The sketches (Girl Coughing
and Girl Dying) were also printed as plates 30 and 32 in Drawings
1949 (see Part A). Cf. Part E,
WI, p.38, item 16.
Phoenix
(Lewes), Autumn 1946, p.19,
All Eden was then girdled by my arms Reprinted, unchanged, in
Little Reviews Anthology (1948) p.161, and in Gb (p.23) with slight
revisions.
Strand,
November 1946, Vol.112, issue 671, p.58,
[i] The Enforced Return and [ii] If the Earth were Lamp-lit
(illustrated) Both were reprinted in Gb: [i] as The vastest
things are those we may not learn (p.14), unchanged except for the punctuation
at the end of line 1; [ii], with minor changes in punctuation and without the
illustration, as Poem (p.35). This second version is reprinted in
SP, p.42, under the title, At Times of Half-light.
Life and Letters,
March 1948, Vol.56, No.127, p.235,
Poem [My arms are rivers . . .] Reprinted, unchanged,
in Gb (p.25).
Poetry
Quarterly, Spring 1948, Vol.10, No.1, pp.4 & 5,
[i] Truths have no Separate Fires, [ii] O this estrangement
forms a distance vaster, and [iii] Poem [He moves across
the bleak] All were reprinted in Gb: [i] unchanged on p.40;
[ii] revised on p.10, and [iii] unchanged on p.29.
Spectator,
21 May 1948, Vol.180, p.613,
Poem [I watched where the tall trees shook] Reprinted
in PS 2:iv, p.17. The last ten lines were reprinted (with revisions)
in RoB under the title, And I thought you beside me.
New English Review
Magazine, September 1948, Vol.1, No.1, p.48,
Poem [As much himself as he is Caliban] Reprinted
(with revisions) in Gb (p.9) and in SP (p.35), where it received
the new title Caliban although it is not about Caliban at all.
The Wind and the
Rain, Autumn 1948, Vol.5, No.2, p.95,
An ugly crow sits hunched on Jacksons heart Reprinted (with
revisions) in Gb (p.28).
New
English Review Magazine, July 1949, Vol.3, No.1, p.42,
As a Great Town Draws the Eccentrics in Reprinted (unchanged)
in Gb (p.11).
3
Arts Quarterly, Summer 1960, No.2, pp.5, 6 & 7,
[i] Victims, [ii] On Fishing up a Marble Head and [iii]
Great Hulk Down the Astonished Waters Drifting [i] reprinted
(virtually unaltered) in RoB (p.7); [ii] reprinted, unchanged, in P&D;
[iii] reprinted, almost unchanged, in 12P (where it is attributed to 1963).
3 Arts
Quarterly, Autumn 1960, No.3, pp.2231,
A Reverie of Bone Reprinted in RoB (p.11).
TLS, 1 September 1972,
p.1027, Squat
Ursula (illustrated), Come, break the news to me, Sweet Horse
(illustrated), and I have my price Printed in BN (pp.74,
35 & 48), which was published two months later.
Observer
Magazine, 12 November 1972, pp.37, 39 & 41,
O Here it is and There it is [the drawn version], Aunts and
Uncles, I Cannot Give the Reasons, and Of Pygmies, Palms
and Pirates Precedes publication in BN by eleven days.
The Mervyn Peake
Review, No 26, 1993,
Ten poems: My malady is this, I cross the narrow bridges,
Heaven lures me, Moon, As over the embankment,
Staring in madness, No creed shall bind me, O heart-beats,
At such an hour as this, Often, in the evenings.
All previously unpublished; with introduction and notes by Brian Sibley.
The Mervyn Peake
Review, No 27, 1994,
Eleven poems: Swung through dead aeons, Suddenly walking along,
To the Illegitimate of War, Dreams, The World,
The women of the world inhabit her, The Eclipse, A
Presage of Death, For Gods sake draw the blind, The
sap of sorrow, The crazy balance at the edge of time. Ten
poems previously unpublished; the last one, Crazy Balance had appeared
in SP (p.9) with a different last line: Is only the long moment for
Is always the long moment. With introduction and notes by Brian Sibley.